and then you'd most likely use smpte time-code, although smpte was also use with some audio/music equipment. About the only time an engineer need to think about sync was if tieing two multitrack machines together (like if you needed 48 tracks), or if you're working in video production. In the old days of analog tape, multi-tracking was fairly simple. You must have a 'master' and slave (or slaves) to keep all tracks in sync. nothing will remain in sync without using some sort of time-code. Whether using a computer program, or digital instrument. Because it is the only way to have a sync-lock for multitrack recordings and overdubs. I would be very interested to hear directly from anyone who has used Multiquence and MIDI in the manner I've described above.īut if you have such mastery in sequencing WAV format tracks the question is: To convert them to MIDI? What for?Īh. OR- am I jumping the gun? Is there something that I don't know? Are there any tricks I should be aware of? From the short amount of time I've had to read just a few of these posts, it would seem that (at least, so far) that no one else has tried this, or from what I can tell (still. Now- as I said, I haven't tried this yet, but I intend to ASAP. Here's the quote: "Support for digital audio, CD audio, MIDI, video, and images" - can be found at: Well, after revisiting the Goldwave/Multiquence main pages this morning, I see that Multiquence does indeed support MIDI. Although, I've never had the need (working solo) to use MIDI for time-code in Multiquence for my own use, Multiquence's "multi-tracking" capability would be the ideal answer. Obviously, with each person having their own unique set-up (programs, equipment, etc.), we need a way to sync-up all of the tracks. The plan is for each of us to add tracks via email and ftp. I recently started a collaboration effort with three other musicians. I bought both Goldwave and Multiquence programs back in 2002, and have really liked both. I have an extensive synthesizer studio in my home which includes both digital-synths, and analog modular synthesizers. I go by the handle 'morbius' (Rich), and I've been a synthesist, recording engineer, and musician for 30+ years. Sorry to dampen anyone's enthusiam, but to date even the most expensive products fall far short of the goal.įirst, since I'm new here, let me introduce myself. Now imagine the results with a whole orchestra.īy the way PTPA is a good sequencer, but the pitch to midi converter in my opinion is useless. On one of the threads a couple of years ago, several of us tried to convert a single note, single instrument melody into a midi file - the results were laughable and almost useless. The other software I use (PowerTracks Pro Audio) has a "pitch to midi" converter (which is a wave to midi converter). I have quoted this person a number of times, including on this forum. Someone once likened this exercize to baking a cake, then being able to separate all the ingredients out into their original un-baked, raw form. Or you could produce the scores for Purple Haze. If and when this achievement is ever realized (and I seriously doubt it ever will), one would be able to take Beethoven's Ninth Symphony, and turn out complete scores for all the instruments. You might try a "Search" for "wave to midi". I have personally dealt with this topic and answered on this forum at least twice. It was covered a minimum of four or five times under "Off Topic", and probably several times on PowerTracks and Others forums. This has been discussed several times on this forum and also on this one: What you want to do is what I would call the "holy grail" of digital music. The written music doesn't convey the sound, just the notes. It's much like the difference between listening to Jimi Hendrix's "Purple Haze" on an MP3 versus playing and singing "Purple Haze" on the piano as you read the music. Either way, the instrument cannot know what the original sound was like. So the play back is through a cheesy tone generator on a sound card, or through a synthesizer hooked up to a MIDI card. The problem with this is that when the MIDI file is played back, it will not sound like the MP3. Then it figures out the next pitch and continues through the MP3 to the end, writing the notes into the MIDI file. What tools such as the one referenced above do is to pick up the pitch/frequency of audio waves in MP3's, etc., and figure out, for instance, that it's a G# and then write a G# in the MIDI file. They contain instructions for certain notes to be played at certain times, along with some other data. One of the top listings is for a tool that does, in concept, what you're asking for. Go to Google and type "Convert audio to MIDI".
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